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Itmad-ud-Daulah,
Agra
Itmad-ud daulah, one of
the most beautiful of Mughal tombs, stands across the river Yamuna
from the Taj Mahal, nearly one and a half kilometers up-stream.
Belonging to the age of Jahangir, it contains cenotaphs of Mirza
Ghiyas and Asmat Begum, parents of the powerful Mughal Empress
Nurjahan queen of Jahangir, an exceptional beauty and an astute
administrator. Mirza Ghiyas had left Persian in sheer penury in search
of better prospects at the Mughal court. He benefited much from the
influence of his daughter who he had once abandoned in the desert.
Akbar offered him a good rank and privileges. Jahangir made him his
prime minister with the title Itmad-ud-daulah (Pillar of the State).
Nurjahan's brother Asaf Khan later became prime minister of Shahjahan.
This Persian family formed at the Mughal court giving the grand
Mughals two most celebrated queens-Nurjahan and Mumtaz Mahal (Lady of
the Taj), daughter of Asaf Khan.
The tomb was built in the famed Char Bagh style that Itmad-ud-Daulah
had himself laid out six years before his death 1622. The monument is
beautifully conceived in the white marble with mosaic and lattice. The
tomb is not a very large structure as Taj Mahal with a height of only
21 m and a dome-roofed octagonal minaret of 12 m each at each corner.
More than its style of architecture that is sometimes called as flawed
by the experts, it is the inlay work or pietra dura on the walls of
mausoleum that makes it extremely attractive. Marble screens of
geometric latticework permit soft lighting of the inner chamber. On
the engraved walls of the chamber is the recurring theme of a wine
flask with snakes as handles. In the flanking chamber are many other
tombs of other family members.
The main chamber is richly decorated with mosaics and semi-precious
stones inlaid in the white marble. According to some historians, the
concept and skills of Pietra dura must have been imported from
European home of 16th century Florence to India. Though there are some
differences like Florentine pietra dura is figurative whereas Indian
version is essentially decorative.

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